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Brandin Vaughn Brings Talent to COCA as Costume Designer for MOTheR 

Fashion Designer Brandin Vaughn, once again, brings his talent to COCA with his creative character-building costumes for MOTheR, a new work by Kirven Douthit-Boyd that centers on a family who uses the power of dance to elevate their existence.   Vaughn, a St. Louis native, grew up in University City. He […]
Fashion Designer Brandin Vaughn, once again, brings his talent to COCA with his creative character-building costumes for MOTheR, a new work by Kirven Douthit-Boyd that centers on a family who uses the power of dance to elevate their existence.   Vaughn, a St. Louis native, grew up in University City. He […]

Costume Rentals

[…]RENTAL AGREEMENT The rental of costumes is secured by the contract. Each rental requires a separate contract. COCA’s costume rentals are for rental purposes only and must be used by the organization or customer for whom the rental agreement is intended. PAYMENT The customer agrees to pay the rental fees and deposits […]
[…]RENTAL AGREEMENT The rental of costumes is secured by the contract. Each rental requires a separate contract. COCA’s costume rentals are for rental purposes only and must be used by the organization or customer for whom the rental agreement is intended. PAYMENT The customer agrees to pay the rental fees and deposits […]

wUNDERland Scenic Design: A Collaboration with WashU Professors of Architecture and Architects from Axi:Ome

[…]Dean of the Sam Fox School, and Heather Woofter, director of the College of Architecture and Graduate School of Architecture & Urban Design, about our collaboration with Axi:Ome for wUNDERland’s scenic design. They shared insights into how the Sam Fox School partners with organizations in the St. Louis community and what has […]
[…]Dean of the Sam Fox School, and Heather Woofter, director of the College of Architecture and Graduate School of Architecture & Urban Design, about our collaboration with Axi:Ome for wUNDERland’s scenic design. They shared insights into how the Sam Fox School partners with organizations in the St. Louis community and what has […]

A Closer Look at COCA’s New Musical: Big Machine fka The Butterfly Room

[…]behind the musical and how the story has evolved during the artistic process. COCA: Tell us about this musical and the inspiration for you to begin to write it? Colin: The original spark to write Big Machine came from a podcast I really like called The Dollop that is an […]
[…]behind the musical and how the story has evolved during the artistic process. COCA: Tell us about this musical and the inspiration for you to begin to write it? Colin: The original spark to write Big Machine came from a podcast I really like called The Dollop that is an […]

Ryadah Heiskell Talks About Her New Work for COCA’s Choreographic Lab

[…]to the stage next week, November 4 at 7:00PM, and will showcase new work by choreographer Ryadah Heiskell. The performance presents the culmination of Ryadah’s Choreographic Lab experience at COCA. Ryadah is the second choreographer to participate in COCA’s Choreographic Lab, a program launched by Antonio Douthit-Boyd and Kirven Douthit-Boyd […]
[…]to the stage next week, November 4 at 7:00PM, and will showcase new work by choreographer Ryadah Heiskell. The performance presents the culmination of Ryadah’s Choreographic Lab experience at COCA. Ryadah is the second choreographer to participate in COCA’s Choreographic Lab, a program launched by Antonio Douthit-Boyd and Kirven Douthit-Boyd […]

Renowned Guest Artists to Lead Dance Summer Intensive

[…]he started his serious early ballet training at the age of 16 under Rose Marie Floyd. After graduating cum laude in 1998 with a B.F.A. in dance from the University of Arizona, Caleb joined the Houston Ballet under Ben Stevenson, O.B.E.-emeritus, and later Stanton Welch, Artistic Director.  During his tenure with […]
[…]he started his serious early ballet training at the age of 16 under Rose Marie Floyd. After graduating cum laude in 1998 with a B.F.A. in dance from the University of Arizona, Caleb joined the Houston Ballet under Ben Stevenson, O.B.E.-emeritus, and later Stanton Welch, Artistic Director.  During his tenure with […]

Breathe: A moment of gratitude and rest

[…]went directly to the abstract quality of her craft. Of course, I thought. Even when we are more aware, breathing is an elusive process that can only appear through movement and color, unbounded to a concrete form. What I don’t anticipate, however, is that breathing is also what the artist […]
[…]went directly to the abstract quality of her craft. Of course, I thought. Even when we are more aware, breathing is an elusive process that can only appear through movement and color, unbounded to a concrete form. What I don’t anticipate, however, is that breathing is also what the artist […]

Voice Program Begins Next Chapter Under the Direction of Dr. Philip Woodmore 

[…]a door for their creativity to shine and find their place as artists.  Hear from Dr. Woodmore about his exciting plans for the Voice Program at COCA and his upcoming work with our Pre-Professional Division vocal students in Allegro Vocal Company below. As you get settled into your new role, […]
[…]a door for their creativity to shine and find their place as artists.  Hear from Dr. Woodmore about his exciting plans for the Voice Program at COCA and his upcoming work with our Pre-Professional Division vocal students in Allegro Vocal Company below. As you get settled into your new role, […]

Little Amal to Visit St. Louis

[…]Dr. Philip A. Woodmore has been working on a special project to prepare for the visit of Little Amal to St. Louis as she makes her way across the United States. Hear from Dr. Woodmore about the exciting event planned to welcome Little Amal and how you can get involved! […]
[…]Dr. Philip A. Woodmore has been working on a special project to prepare for the visit of Little Amal to St. Louis as she makes her way across the United States. Hear from Dr. Woodmore about the exciting event planned to welcome Little Amal and how you can get involved! […]